We took in an art museum

Sometime this past winter we decided it was time to drop DirectTV. It didn’t hurt so much since the Super Bowl had passed and the professional football season was over. I had little pangs of self doubt and remorse as the Kings progressed in the Stanley Cup playoffs.

We took in an art museum, the massive jack a lope, which was literally crawling with greasy fingered children who were burning off their backseat travel boredom. We drank a little ice water and wandered a few more shops before we decided on postcards and a chunk of amethyst for our rock loving nephew as our surprise purchase. Yet the whole time, I fought an urge to buy the plastic cow chip chucker; Joanie discouraged my even picking up the “Biker Babe Beverage Coolers.”.

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But if today’s reshoring trickle turns into something much bigger, the benefits to the US economy look promising and not just cougardatesites for manufacturers. By one estimate, each new domestic manufacturing job creates three additional jobs in the US, in logistics, transportation, construction, finance, and other areas. With a renewed focus on technical education, far from becoming a nation of hamburger flippers, the US could be poised to reclaim at least some of the 7.7 million manufacturing jobs it has lost since 1979..

They trained at an old elementary school in Anaheim, next to Dad Miller Golf Course. You didn need to go through security or take a retinal scan to get there. In fact, unsuspecting thousands drove past it every day. Many directors choose to shoot in black and white for artistic reasons Hitchcock thought the bright red blood would be too much in “Psycho,” for example, and Woody Allen made each frame of “Manhattan” to look like a matted photograph. Romero, on the other hand, had just one reason to film “Night of the Living Dead” in black and white: It was cheaper. But when we watch the finished product, it’s impossible to imagine it in color.